To be female and poor in itself attracts a unique stigma. The 1980s saw the remarkable rise of the ‘welfare queen’ as popular bogey (wo)man of choice in the USA. This was fuelled by Reagan’s ideological crusade against an ‘excessive’ ‘soft’ welfare system and driven by racist and sexist stereotypes of ‘lazy’ African-American women, often single mothers. Indeed, the single mother is a recurring motif in the rhetoric surrounding welfare and benefits across the Western world. The idea that single women ‘churn out’ babies in order to generate more income or obtain free housing is commonplace in the UK and was a core part of the vivid American ‘welfare queen’ stereotype. Attacks on the integrity of single mothers are common; they are portrayed as less capable parents - despite evidence to the contrary - and are improbably blamed for a host of social ills, including, predictably, the riots that took place in the UK in the summer of 2011. The prevalent stigma borne by poor females in many societies is viscerally illustrated by British newspaper columnist James Delingpole who described several of the “great scourges” of contemporary Britain: “aggressive all-female gangs of embittered, hormonal, drunken teenagers; gym-slip mums who choose to get pregnant as a career option; pasty-faced, lard-gutted slappers who’ll drop their knickers in the blink of an eye” (The Times newspaper, April 13, 2006 ). Disturbingly, the stigma of female poverty and single motherhood has become embedded in public policy in many different countries: women are all too often the ‘accidental’ victims of supposedly gender neutral measures, such as budget cuts and welfare reform.
Gender essentialism is the assumption that women are naturally like this, while men are naturally like that, and nature made it so and anyone who deviates from that pattern is a freak. Most commonly it comes in the form of “women are naturally submissive and men are naturally dominant”.
This is an absolutely unprovable statement. It is an opinion, not a fact. Look at the amount of gender conditioning we receive from infancy: different colors for girls and boys (in some cultures), commercials proclaiming boys like toy guns and trucks while girls like dollies that pee. Throughout life, we are punished for deviating from our cultural gender norms, and yet very few people find it easy to avoid those deviations.
If it’s so natural, why all the conditioning?
So maybe I am watching different shows from the rest of you because I fail to see how Moffat is sexist.
I think he writes brilliant female characters. What exactly has he done to River Song, Amy Pond and Irene Adler to make you all bitch and complain so much? Honestly, I really am curious.Mostly? Taken away their agency.
Amy spends the first half of series 6 as an incubator for the Doctor’s future wife. She doesn’t have any choice in the matter — she doesn’t even know she’s pregnant until she goes into labour. That’s horrifying, though you’d never know from how cavalier Amy is about it. Then her baby is taken from her, and the story barely even allows her to grieve. She gets evicted from the TARDIS by the Doctor, rather than choosing to leave on her own (which would be MORE than justified at this point).
River’s story in s6 made sure that her life literally revolved around the Doctor from conception until death. From conception, until death. She’s kidnapped as a child because of the Doctor, brainwashed (and let’s face it, probably abused) and trained to kill him, which she does, but then she gives up all her regenerations to save him. She studies archaeology to find him. She’s forced into the suit as an adult again in order to kill him, and then he marries her so that he can “request” she fake his murder and take the blame for it, spending years of her life imprisoned for a crime she didn’t commit. Eventually, she gives up her last remaining life for his.
Irene Adler is a smart and capable woman who describes herself as gay and yet falls for Sherlock so hard that she decides to make her all-important “I’d die before relinquishing this” password his name, because of some kind of crush. It’s not that she has a crush — it’s that that crush and her ~emotions get the better of her and nearly lead to her death. Irene, the woman famous in the ACD canon for being “the woman who beat him”, is bested by Sherlock in the end (he cracks the password) and has her life saved by him, while she, the dominatrix, kneels helplessly in the face of her death.
There are lots of other things, including Moffat’s own tendency to say dumb shit during interviews and on Twitter, but since you asked specifically what he’d done to Amy, River and Irene to make people complain, there’s the big one. It’s not usually the characters people dislike, it’s how those characters are treated within the story, and how much agency/control over their life and stories those characters are given, and whether or not those characters have stories unto themselves or they exist solely to do something for the male protagonist. Obviously not everyone is going to agree with the all of the above. But you said you were curious, so that’s where many of the criticisms come from.
As we have so recently and publicly discussed, girls and women have “anger issues” in that they are socialized to not demonstrate anger, but instead to sublimate it where it can sometimes then manifest itself as anxiety or depression. Girls are not born less angry and more anxious, they’re rewarded for being less angry and more anxious. So, it should come as no surprise to anyone that large groups of stressed out girls and women collectively facing the dissolution of a cohesive social structure might be more disposed to fall prey to mass psychosis. It is arguable that men and boys experience similarly jarring episodes of anger and anxiety-channelling mass psychosis, but we call it male aggression and fund military industrial complexes to deal with it.
The truth is, women are still required to be “nice”. To be unthreatening. You can show me all the token examples of assertive modern women, but the fact still remains that more often than not, I hear women deflecting their seriousness, their cleverness, their interrogative spirit, via a systematic persona of infantilising niceness: “Hey look, I may be clever, but I’m not out to rock the boat, please don’t hate me, please love me, I’m ‘nice’”.
I want to see female characters who are judged strong based on their choices, their determination, and their refusal to be limited by what others think — not what they look like or do for a living/hobby. This isn’t too much to ask, is it ?
I want a future where women and girls get to be the subject of their own sexuality, not the object of somebody else’s. That we are the main characters in our own play, not props in somebody else’s—which is how women’s sexuality is treated now. Whatever the outside attitudes about sexuality it’s always about somebody’s agenda for us, and I want a world where we can have our own.
Why is there so much self-denigration and envy? Because every woman somehow finds herself, without her consent, entered into a beauty contest with every other woman. No matter how irrelevant to her goals, how inappropriate to her talents and endowments, or how ridiculous the comparison, women are always compared one to another and found wanting. Hillary Clinton’s haircuts…get as much press coverage as [her] words and actions.
Nancy Etcoff, Survival of the Prettiest (via dancewiththedevilonyourback)
Said far better than I ever could. That’s why I end up unwittingly comparing myself.
It’s also important to note that punishing women for complying with cultural demands for performative femininity is a key component of women’s oppression. Our culture insists that women conform to a certain conventional beauty standards, and concern themselves with “girl things” like fashion and hair and makeup, in order to be acceptable as women. Yet when women like Kim do this, they are derided – called stupid, shallow, and vapid. As feminists, we must never stand by while women are called derogatory names for engaging in socially coded feminine activities. Even if we don’t like those women.
The thing that frightens man about homosexuality is that they think about a man allowing himself to be treated like a woman and there is nothing worse, nothing so flying in the face of patriarchy, than for a ‘privileged man’, privileged by being male rather than female, to allow himself to be treated like a female
The Purity Myth
So good. So upsetting.
H&M puts real model heads on fake bodies. via Jezebel:
The bodies of most of the models H&M features on its website are computer-generated and “completely virtual,” the company has admitted. H&M designs a body that can better display clothes made for humans than humans can, then digitally pastes on the heads of real women in post-production. For now — in the future, even models’ faces won’t be considered perfect enough for online fast fashion, and we’ll buy all of our clothing from cyborgs. (This news sort of explains this.) But man, isn’t looking at the four identical bodies with different heads so uncanny? Duly noted that H&M made one of the fake bodies black. You can’t say that the fictional, Photoshopped, mismatched-head future of catalog modeling isn’t racially diverse.
eta that literally no one will see: we’ve started a petition on Change.org asking H&M to either end this practice or expand it to include customizable body types—a tool they USED to have and that’s easily attainable through this technology.
There is an argument that it’s OK to draw women in this hyper-idealized and sexualized way, because male characters are idealized too. The difference is, more often than not, women are idealized primarily in a sexual manner, and men are idealized in a way that emphasizes power and strength. These are not the same thing, and send a distinct message to the reader whether you realize it or not. I guess my overall point is just to think about what you’re drawing, and why you are drawing it.
Maria Bamford’s “generic female comedian” act